An Interview 
with Stuart Dauermann

How do you define 
Messianic Music?

I used to define Messianic music as Jewish in flavor and apostolic in doctrine. I no longer define it that way because it left out the element of communal location. I now favor this definition: “Messianic music is music that is Jewish in flavor, apostolic in doctrine, and expressive of the covenantal and social location of Messianic Jews as part of the remnant within Israel and not outside of it.”

How did you begin writing Messianic music?

I attended an American Board of Missions to the Jews (Chosen People Ministries’ older name) meeting in New York City, where the leaders sought to communicate in Jewish ways to Jewish people. However, as I told the director there, the music in the meetings sounded very un-Jewish. The music actually implied that Jewish people who believe in Jesus lose their identity as Jews. Since I was going to music school then, he challenged me to write some better music. So I did!

What might the future of 
Messianic music look like?

Messianic music will lose its power and lose its way if those responsible for it themselves lose clarity on their identity as Jewish believers in Jesus. The music must not only be biblically and theologically sound but must also be an authentic expression of Jewish faith in Jesus the Messiah. To achieve this, over the past thirty-five years, I have increasingly written music based on Jewish liturgy, which itself expresses the voice and soul of the Jewish people. Only by hitting the right biblical, theological, communal, and cultural notes will it be possible for Messianic music to be spiritually enriching and something not only lively but alive.